The Art Brothers Represent

It’s Happening!
ZuCot Gallery makes Black and African-American art accessible
Bird’s-eye view of a group of people standing in an art gallery with framed art hanging on white walls

The owners of ZuCot Gallery—Troy Taylor and brothers Onaje and Omari Henderson, want everyone to feel confident about collecting fine art. As the largest Black-owned gallery in the southeast, ZuCot welcomes you to explore their collection in a positive, uplifting space.

When you enter ZuCot Gallery, you’re immediately greeted with warmth and enthusiasm. The owners and staff purposely dress more casually and play feel-good melodic music. Fela Kuti, Robert Glasper, and WizKid are a few of their favorites. They’re delighted to walk around with you, or you can scan the QR codes next to each painting. Connecting with the artist to understand the narrative is part of the immersive experience ZuCot wants you to enjoy.

“There’s a value to art that’s intrinsic and that means something to a person. For instance, if I had a painting right now of my great-grandfather that had been passed down, the intrinsic value would be astonishing. This is why art is important to families and it’s priceless for that very reason. I think we have to be aware and recognize those things when they happen,” says Onaje Henderson.

ZuCot Gallery believes purchasing art shouldn’t be intimidating, but deeply spiritual. Aside from making fine art more accessible, their goal is to expand the reach of Black and African-American art in the US and the world. Many people are surprised by how many Black and African-American artists there are, simply because they’re underrepresented. ZuCot is changing this.

Growing up, you recognize your absence in public spaces. You don’t see images of yourself anywhere. What we see is what becomes true.
Onaje Henderson

Premier Art grows with artist representation

Onaje and Omari Henderson grew up around art. Their father, Aaron F. Henderson, left his career as an electrical engineer to pursue his dream of being a full-time artist. After his sons finished school, he established the company, Premier Art, as a way to promote and sell his work. Onaje pursued a career in mechanical engineering, Omari chemical engineering. However, the brothers eventually realized art was their passion. They left their lucrative jobs and returned to Atlanta to manage their father’s successful business.

Onaje and Omari took over Premier Art and began representing other African-American artists, rented gallery space for pop-up exhibitions, and connected with the local art scene. They launched Art Tasting, an event that removes the intimidation of buying art by educating anyone who wants to become a collector. They discovered this was a great way to grow the business, especially when they started hosting corporate events. Their first client was Coca-Cola, one of the largest global corporations based in Atlanta.

“At some point, the Art Tasting had grown and we began to look at the Art Tastings and say, OK, if we can change the mindsets of young people, why not corporations? And so we started going after them. It’s funny, when we initially started the Art Tasting, we were just going to contact small businesses around the city,” says Onaje.

Aaron F. Henderson

The artist provides a rich narrative of emotion and character in each of his works.

The name of the gallery (ZuCot) is a tribute to the pioneers and giants whose shoulders we stand on.
Troy Taylor

ZuCot Gallery meets Premier Art

Troy Taylor discovered his passion for collecting fine art on his business travels. After encouragement from artists who knew him, he left his career as a VP at Johnson & Johnson to open ZuCot Gallery in Atlanta. He named the space after his grandmother, Frances Ann Taylor, one of the first women allowed to own a stall at a produce market on the British colony of St. Kitts. She was known to be “as tough as a zoo cat” by the locals who loved her. After she migrated to America, her family softened her nickname to ZuCot.

Troy met Onaje and Omari at an Art Tasting and was impressed with their shared love for art. He suggested they do a show together for Black History Month, which they thought was a great idea. Troy mentioned to the brothers that in life, many want to do well, but it’s more important to do good. Then he suggested they do good together.

They quickly formed a partnership because they were so much alike. Troy brought a different business approach, making them really ask why things were a certain way in the art world. They realized they were disruptors who needed to enact change by creating a positive space, and connecting with the community as a Black-owned business.

Three men gathered around a laptop smiling at the camera with art hanging in the background
Omari Henderson, Onaje Henderson, and Troy Taylor 

The three men became known locally as “The Art Brothers”, representing living Black and African-American fine artists. They noticed that many successful galleries copied a formula that excludes most people, especially Black and African-American people. They wanted to create an unapologetically Black space—to see, hear, and tell stories.

“It’s respected in this space, and I think that’s the beauty of it. I think it’s so important that we have these spaces, and it’s not just for other Black people to see, but it’s for everyone to see. This is a space where you can come in and just learn about someone else’s perspective,” says Onaje.

As we continue to create ways to engage with young people, technology helps break the barrier of a ‘boring’ art gallery and entices them to want to learn more about art and entrepreneurship.
Omari Henderson

ZuCot disrupts with technology

ZuCot understands the value of being early adopters of tech. Microsoft is helping expand their reach and create a more connected experience—from in-gallery Surface Hubs, to Azure-powered virtual exhibits, to their new app that shows how a painting will look in your home.

Their current exhibit, Presence, is available to explore virtually. It exposes the truth of what it means to be a father through the works of nine African-American artists. These artists have contributed to illuminating the emotions of Black men who have taken on the role of fatherhood. The artists are women and men, grandfathers and fathers, and those loved by them. The paintings examine relationships with fatherhood and inspire us to consider our own.

Artist Aaron F. Henderson—Onaje and Omari’s father—examines how his father and grandfather dealt with the complexities of being a Black father in America, as well as his own role as a father. Charlotte Riley-Webb reflects the close bond between fathers and their children by honoring the most important men in her life—her father and late husband. And as a father three, Steve Prince celebrates the bravery of female students who broke down the walls of segregation in American educational institutions.

The media’s narrative of Black fatherhood has often focused on absence, even though this was disproved by a 2013 CDC study. The hope is that Presence can help change that narrative by showcasing the often-overlooked love, sacrifices, and familial commitment many black men experience daily. Developed in collaboration with Microsoft, the experience is accessible online and in person.

Experience Presence, ZuCot Gallery

Even in absence, their presence can be felt. The love is different. Often realized years later after lessons have been put to use, a good father’s love and support shines. Fatherhood is complex, a combination of love, laughter, protection, and determining when to let your guard down and just be… Dad. It’s sometimes built on the uneasy foundations of unresolved traumas spanning from slavery to now, years of suppressed emotions from being forced to choose family safety over violence, and the hope that the next generation will do it just a little better than the former.
ZuCot Gallery, on Presence